I'd love to retire there when the kids are gone, although there are a lot of oddities about Barbican living to contend with that are probably more fun to read about than deal with for real.
This is just London, out of the 8 years I've spent here, 3 of them were spent with a dishwasher. Tbh I've got a dishwasher now and barely use it.
Do you wash by hand then? I'm curious why someone would opt to not use a dishwasher if they have one. In my ranking it's the third most essential appliance, after a washing machine and a fridge. I probably would rather give up warm water than my dishwasher.
When we visit family (or have visitors at home), the utility of a dishwasher becomes much more apparent when serving 4-6 people.
This is quite common for older places in the UK. Some places might have been updated to allow for a dishwasher, but there are probably rules against that in the Barbican.
It would probably be an eyesore and a huge space killer to use indoor on the kitchentop but thought I'd share a non-invasive solution I used.
The size of the dishwasher was decent, and with some tiny concessions around placement it was perfectly fine for daily washing although I generally prefer to wash pots and pans by hand regardless of dishwasher space fwiw
30 minutes? Either you're cleaning up a sink full of dishes you neglected for a week or cleaning up after cooking a dinner for four or more. If you immediately clean your dishes after use its takes almost no time at all, maybe a minute or two.
Withnail: Have you got soup? Why don't I get any soup?
Marwood: Coffee.
Withnail: Why don't you use a cup like any other human being?
Marwood: Why don't you wash up occasionally like any other human being?
Withnail: (Appalled) How dare you! How dare you! How dare you call me inhumane?!
Thanks for that, put a smile on my face.
And about 200ft. Such is the maze-like nature of the Barbican.
If we're going to fill out the roster, let's say Radio 1 is Camden, 1xtra is Brixton, Radio 2 is Bromley, Radio 5 is Dagenham, and 6music is eh.. I dunno, Shoreditch?
Richmond teeters over into Classic FM to my taste - ostensibly cultured, but basically posh-pop.
And LBC is a diffuse torroidal agglomeration of zone 3+ greasy spoons known only to White Van Men and black cab drivers.
It's not so bad once you head out into the counties either I suppose.
That surprises me, I was under the impression that Greater London was a bit bigger than Greater Paris on most metrics.
Unless you mean the City of London (The Square Mile) itself, which is definitely much smaller than Paris proper.
But it is actually closer than I thought, closer in size to paris than new york which surprises me.
I could be wrong though, maybe London is actually bigger than most estimates.
Years ago I bought a flat and it came with an underground parking garage. Once we were settled in I break the garage lock and inside was an old Peugot, cans of old motor oil, and all sorts of junk shoved in between the garage door cracks. It was hell to get rid of the thing. The tires were flat. No title meant no tow trucks wanted to touch it and no scrap yard was willing to accept it. After too many months I was able to get the city to declare the car derelict. And then I had to pay a scrap yard to accept it.
While it doesn't stop cars from being abandoned "randomly", just the entire principle of having a paper trail for these things and creating a bunch of incentives to make sure that parking spots don't turn into trash heaps[0].
Especially now that I live in a place where street parking is a prime resource and yet people _who have garages_ still choose to street park out of convenience...
[0]: not always of course, I know about the trash houses
The flat was built and purchased in the 60s, abandoned in the 90s, and sold to us in 2010s. It was near a newly gentrifying, former industrial area. I think we went back and forth with the city for 10 months before they agreed to give me the paperwork that would allow it to be scrapped. I get that no one wants to get it wrong and accidentally throw someone else's property into the bin.
I bet someone would have been absolutely delighted to have that old Peugeot!
I’m assuming there contents of the garage became your property, and thus legal liability, when you purchased the flat?
Since the property is derelict and you weren’t aware of it previously, and the disposal of the property caused undue effort and cost, would the failure to disclose the contents of the garage by the former owner and/or their agent constitute some kind of breach of duty or some other kind of contract violation?
Also, we already have a car. Why would I want someone else's scraps?
> isn’t it cheaper to call a friend
Its not moving a couple of boxes of furniture. I'd never seriously ask any friend to do this on a lark. Just pay the insured "expert" their fee so you don't have to assume any liabilities.
If you have a title then people will pay you to come and pick it up.
In our city there is a separate service where you can report abandoned car. They check, leave a note and one month later tow it to the special parking lot. Later it is sold at the auction or scrapped.
Anyhow, one day I went a different way and there was this massive, tropical greenhouse. Kinda hard to believe if you've ever seen the place.
https://www.barbican.org.uk/whats-on/2025/event/visit-the-co...
As far as I'm aware, the Barbican Conservatory (Greenhouse) will close for refurbishment at a point next year though. When you go currently, they'll have details of the plans for public consultation. So see it while you can (or then again in 2030 or so).
Such a contrast to the Sky Garden in the City which has all the charm of an airport departure lounge.
Until last lear, The Lead Developer conference (https://leaddev.com/) was held there, but it's moved to a larger venue for this year (I don't think the size of the main hall was the problem, it was the areas for break out etc.) They had a great talk about the history of the place: https://leaddev.com/leadership/you-are-here-the-story-of-the...
The Barbican Theatre is one of the London homes of the Royal Shakespeare Company, although they are looking to
Unrelated, but recently the complex has been appearing in the general consciousness again as the excellent Apple TV series/spy novels Slow Horses (about a bunch of outcast MI5 agents) is set near there.
(That same Live at the Barbican album is weirdly hard to find because it was a damned Apple Music exclusive. Travesty...)
I'm not sure there is a really, really great concert hall from an acoustics perspective in London. Back in Manchester I loved the Bridgewater because it was designed to be acoustically good no matter how many people were in the audience. I can't think of anything that modern and carefully thought through, so I tend to look for smaller venues with more "classical" approaches to acoustics (Wigmore, St Martins, and so on). Where do you like?
I lived there for the better part of a year and it completely changed my perspective on living in London. More city-life should be like the Barbican.
I read somewhere, I wish I could remember where, that some urban designers in the 60s had the feeling that people should spend their recreation time in their private homes rather than outside.
The Barbican felt like it had achieved that ideal of lifelessness, with bizarrely large and featureless open spaces, scant seating, etc. Of course that contrasted with the spaces around the arts centre which were bustling.
I lived for a while on Bedford Avenue between the British Museum and TCR and it was dead quiet, despite the location.
Few others worth exploring...
Walden 7 (Spain): A labyrinthine, colorful complex by Ricardo Bofill with inner courtyards and skybridges, aiming for a more social urban life based on B.F. Skinner's Walden Two philosophy.
Arcosanti (USA): Paolo Soleri’s desert experiment in “arcology”, architecture + ecology—exploring sustainable living in a compact footprint.
Unité d'Habitation (France): Le Corbusier’s "vertical garden city" combining apartments, shops, and communal spaces into one concrete megastructure.
Habitat 67 (Canada): Modular housing units stacked like Lego, Moshe Safdie’s vision for dense yet humane urban living.
Auroville (India): Founded in the 1960s as an experimental township aiming for human unity beyond politics and religion.
In the cases of the buildings, over time their value has increased faster than an average dwelling in the vicinity, making them more exclusive and restricting access to those higher and higher up the socio-economic ladder - effectively turning them into gated community without the residents needing to feel the guilt of living behind physical gates.
The buildings are still there, and they have inhabitants, but the investment potential has long outlived any philosophy. I guess you could argue there are some secondary effects from their influence, but I wonder how the architects would feel today.
See also Park Hill https://en.wikipedia.org/wiki/Park_Hill%2C_Sheffield
The barbican was created as a council proyect for middle class people. Nowadays council houses are considered only for destitute families. So of course the priorities, prices, and accesibility of thsoe houses is very limited compared to what you could do with a proyect like the barbican.
I think with inflation on mind the average salary would be like 70k, which is way above UK average, but certainly very accesible to a large number of working professionals in the UK. There simply is not something half as good for that money being built nowadays in the UK. So obvs Barbican increases in price when there is no analagous purchase possible.
However, I feel like HDB should declare victory and go home.
It's not gated but it definitely is not affordable now. The first owners probably felt like they won the lottery.
But in any case, I brought up the Pinnacle as a short-hand for a nice looking HDB, not to say that it's affordable. The city centre is very much not affordable.
You are right that further out, you can get much cheaper flats. Like in almost any city on the planet.
They're mostly too expensive because they're rare
https://themodernhouse.com/sales-list/thomas-more-house-ii
https://themodernhouse.com/sales-list/Lauderdale-Tower-II
https://themodernhouse.com/sales-list/willoughby-house
https://themodernhouse.com/sales-list/ben-jonson-house-iii
And all are sold on that weird UK feudal relic, leaseholds, so you're just buying for a certain number of years - a couple of the ones above only have ~80 years remaining.
The shoddy windows are particularly easy to spot, even in the pictures in the article. I'm not even sure these would be legal in Germany.
I think it's a cool building for sure, but like many buildings in the UK (including people's houses) it isn't well taken care of and you can see how grotty the surfaces are on the facade, how things need to be repaired & fixed.
I'm looking to buy a house here and walking down streets of so many areas it's just crazy how people don't take pride in water blasting their driveway or the facade of their house, even things like fixing broken/cracked windows.
And then stupid fucking trends like extending your house with an open conservatory and treating it like another normal room...a single layer of brick in a country that gets cold & wet in Winter! What the hell!
If they lowered the service charges tomorrow, that would just mean that the headline market price of the apartments would go up to compensate.
If they moved from leasehold to freehold tomorrow, you would also see that reflected in the price.
The thing about Barbican is that it is an opinionated living complex. People who built it had an idea on how the urban living is supposed to be and sculptured that in concrete. Very few things are changeable there, that's why it also feels like a different time.
I enjoyed walking from my office to the tube and get amazed by this giant place everyday. Never seized to amaze me. I would occasionally go there and work at the public places, it was often empty enough to find corners or passages where I can just observer the life happening in distance.
Here's a couple of photos: https://dropover.cloud/09cb4c
Whether its the Barbican, or "Grad Center" at Brown University, there are all sorts of elevated walkways that you can see from other levels, defying "every floor is like every other floor" expectations.
I think I have vague memories of when being a small child, being filled with wonder at various municipal buildings that did this. Though my memory hazy and I cannot remember the specific buildings.
Interbuilding passageways complicate future renovation and redevelopment, and spreading eyes on the street thinly makes all walking areas harder to secure.
They are also incredibly inconvenient. London had many walkways because they wanted to give cars priority, and they largely became unused and became a source for litter.
Passageways in Hong Kong are popular, but that’s because the pedestrian density is so high they manage to fill both the skywalk and street level. The passageways provide shelter from tropical sun and rain, sometimes even air conditioning. And it’s a very hilly city anyways, so often you are picking between walking uphill on a plain sidewalk vs. doing it on a skywalk with escalators and elevators.
I have a similar sort of fascination with a structure closer to me: Habitat 67 in Montreal. I have at various points considered buying a unit there but practicality prevents me from doing so each time. I don't know how long I'll resist.
https://www.architectural-review.com/today/the-interlace-in-...
I really miss more bold architectural and city planning experiments. Like, I get it, if it’s a flop, it’s a pretty expensive one. But still, it feels like the design-space there is just really under-explored.
Maybe there’s some AI-driven simulation way to explore the design-space and arrive at viable solutions before committing too much funds.
One can dream.
But more importantly for me, my usual life is not in Montreal. I love Montreal but moving there would require quite a few sacrifices in personal relationships that I don't feel like making. And government services in Quebec are also worse than in Ontario (where I am now).
I was reading this post and thinking, huh, this would be a good set for a Coruscant shot in Andor, and sure enough ...
https://en.wikipedia.org/wiki/City_of_Arts_and_Sciences
In particular, the Museo de las Ciencias Príncipe Felipe.
https://en.wikipedia.org/wiki/City_of_Arts_and_Sciences#/med...
In comparison, in the barbican I felt like I could sit there for hours and enjoy the architecture. It has so many interesting details and aesthetically pleasing corners.
which is good too, it's a mix of Black comedy and spy tension.
James Bond obviously doesn't live there, but I can imagine any number of John le Carré's later characters (the early novels are set before it was built) would make sense.
https://www.reddit.com/r/architecture/comments/5w9ep7/cross_...
The old Robin Hood Gardens before they were demolished were quite unwelcoming, looking from the outside. You wouldn’t go anywhere near those kind of estates unless you were a resident, and you’d have a very different impression as someone who saw what it was like internally.
But it’s still dreary, in person, on a cloudy day. This style looks good in drawings, well lit and edited photos, but I think it’s a false/failed direction in living reality (specifically the facade, the building shape, “tunnels” etc).
I mean, what isn't? :-)
The tunnels are kinda ick, and there are other bits I don't like, also. There's a walkway I've ended up on a time or two that's just bare and windswept, and badly needs... Something to break it up.
Still, though: I think I'd be pretty happy living there (even if it mightn't be my top choice). The (both design and amenity) positives outweigh the negatives, which I cannot say about many, many other parts of London. Do you disagree with that?
It's awful if you're walking along actual roads though. I would avoid it too.
https://en.wikipedia.org/wiki/Brutalist_architecture
> In the United Kingdom, brutalism was featured in the design of utilitarian, low-cost social housing influenced by socialist principles and soon spread to other regions around the world, while being echoed by similar styles like in Eastern Europe
So beware the vocal minority of English socialists that have a politically-tainted take on this architecture.
The rest of us agree with you. It's offensively ugly!
It's ironic the style is so strongly associated with socialism I think because it's much more 'dark Satanic mills' than 'England's green and pleasant land'.
I think the heavy maze like structure was incredibly effective at blocking out the sound of the city and the water features / conservatory made it an amazing place to chill out for a relaxing lunch.
Not quite cyberpunk, not quite solarpunk but somewhere in between and utterly unique.
Elsewhere in the place, I have loved going to exhibitions, theatre plays, gigs and the cinema. It's a one-stop cultural hub that evokes the glamour of flying in the olden days.
He would rave about the place but I’m not a fan of it personally.
Aesthetically it’s out of place and (in my personal opinion) a bit of an eye sore.
The maze like design seems fun at first but it’s less amusing if you’re the one who’s actually lost in there and have somewhere to be.
The apartments are small and impossible to get the temperature right (too hot in summer, too cold in winter).
But because its iconic people still pay an obscene amount to live there.
The on-site amenities are pretty good, but its central London, you’re not far from literally anything you could imagine or desire. So I’m not sure that’s as much a selling point now than it was when the estate was built.
It’s one of those places you’d have to really love in spite of its warts because it’s so impractical by modern standards.
This is totally inaccurate. It's the business district. If not for the Barbican, the nearest serious art gallery, repertory cinema, music auditorium, are all around half an hour away.
But even half an hour isn’t a long walk. ;)
It’s also a route I’ve done often, hence how I know.
And if you cannot find an art gallery, auditorium nor cinema in Soho then you’re doing something very wrong.
There is a theatre at Tottenham Court Road. It is over 30 minutes away from the Barbican centre by foot (but about 10 minutes by Elizabeth line).
The nearest major art gallery to TCR is not in Soho, but 15-20 minutes from Tottenham Court Road. There are two other major galleries closer to the Barbican than anywhere near Soho. Both are at least 25 minutes by foot and at least 25 minutes by tube.
There isn't an auditorium in Soho, unless you can name one? St-Martin-in-the-fields is no closer than the National portrait gallery, 20 min by foot or 15 by bus from TCR. Easily 25-30 minutes from the Barbican centre by any means of transport.
Likewise there are several repertory cinemas in Soho but none of them are 0 minutes from Tottenham Court Road.
Your claim of 15 minutes by foot was completely laughable. My claim of around 30 minutes in each case was accurate.
Also I never claimed 15 minutes by foot. And given how good public transport is in London, it’s a silly argument for you to make that we can only talk about out walking somewhere.
Plus even if we were just talking about walking, as myself and others have pointed out to you, half an hour isn’t far to walk in central London. Londoners do it all the time.
There really isn’t any need for you to be taking such an aggressive tone here.
You can't, because there isn't one.
You made an incorrect statement, and now you're defending it, but without providing any example at all of what you are claiming exists. So it's a little bit cheeky to claim that I am shifting the goal posts.
https://maps.app.goo.gl/sdW7h8zMb7qj42Nd8?g_st=ic
But if you really care about art then you aren’t going to limit yourself to “major” art galleries (again, speaking from experience here).
This whole argument is absurd. I dont understand why you find it so controversial to claim that a flat in central London would be near pretty much anything you could want. Business district or not, I stand by my statement. If it weren’t true then people wouldn’t pay the premium to live in central London.
Read my comment again:
> It's the business district. If not for the Barbican, the nearest serious art gallery, repertory cinema, music auditorium, are all around half an hour away.
Your single 'counter-example' is a serious art gallery, which is around half an hour away...
You're a lot closer to everything in the Barbican than you are in Croydon or Enfield or Acton or Stratford.
London is big. The City is close enough to the centre that it is central, compared to most of London.
(Personally I think the Barbican is ugly, and I didn't like moving around in it, with long walkways forcing unnatural navigation. It only works, in so far as it works, due to a degree of elite mindshare capture keeping it owned and occupied by the wealthy. Put the same idea in Stratford and come back to somewhere far less pleasant in 20 years.)
Also I’d argue the Santander Cycles are a form of public transport (just not mass transit like buses or the tube)
https://tfl.gov.uk/modes/cycling/Santander-cycles
But honestly, you’re the first Londoner I’ve spoken to who considers 30 minutes by foot a long way away. Even by London standards, that’s close. For suburban dwellers, 30 minutes by foot wouldn’t even get them close to their nearest art gallery (and I don’t even mean “major” galleries either).
And your insistence on limiting things by “major” instances is odd. London has a strong culture of smaller independent amenities. Many of which are a lot closer than Soho and Southbank.
This is honestly the first time I’ve ever heard anyone complain about a zone one apartment being a long way from stuff.
In theory Leicester Square is a 15 minute drive. In practice you'd have to be mad to drive yourself but you could Uber it.
Me and my 10 year old kid were playing quake 1 together, a map pack called Brutalism jam. Having discussed the style we went to barbican, saw the greenhouse and walked around the complex for a while.
The kid couldn't stop talking about it for months! Amazing place (also a surreal map pack).
A Brutalist building with zero plants looks like a totalitarian prison hellscape designed to destroy your soul before it destroys your body.
A Brutalist building surrounded by trees with every nook containing greenery and vines dangling down looks like some kind of idyllic Star Wars planet populated by fuzzy hobbit-like creatures.
I'm not sure why I find this effect so strong. Perhaps because flat gray concrete is aesthetically ambiguous. When paired with greenery, it looks like stone. In it's absence, it looks like industrial mechanism.
> Perhaps because flat gray concrete is aesthetically ambiguous. When paired with greenery, it looks like stone. In it's absence, it looks like industrial mechanism.
Yes, this is the fundamental error of modernism/brutalism - the belief that flatness and the lack of ornamentation is beautiful. It can be .. but only under optimal conditions, like the concept art. "Material design" for buildings. As soon as it gets a bit weathered and dirty it becomes merely drab. Plants provide some organic variation over the surface, breaking up the now-dirty "clean" lines.
I don't like Brutalism in general, but it looks a lot less ugly somewhere sunny like Spain or the South of France than the UK in my opinion.
> embowered
I think this is a typo for "empowered", but it's also a great word for covering something with trees.
The rule is the rule, and exceptions are the exception. Exceptions do not make the rule, by definition, so if your only defense of Brutalism is to say 'look at this one exception out of the tens of thousands that got built, which doesn't suck!', then you have conceded the point about Brutalism sucking.
1) Orlando Bloom did the drama course when we were there. Famous music students there include Bryn Terfel, Jaqueline du pre and tons of others.
2) I say we because my wife did a music postgrad there at the same time but we didn’t meet until we left even though we were once on the same openday concert program together. (My composition was chosen to represent the jazz courses so I was in a group that played that - my wife won a chamber music award so she was playing later in the concert with a guitarist, but us jazzers didn’t get to see that).
3) We didn’t meet because she did early music whereas I did the jazz course and all the lessons on the jazz course were underground. You may think I am joking but literally all our lessons were in the basement except for if we had a visiting musician do a masterclass (then they used to use one of the nice airy and bright above-ground rooms, some of which have a lovely view of the lake).
4) As well as the concert hall which people have mentioned, there is a theatre and at least 2 cinemas as part of the Barbican complex. If you know where to look there are parts of the old roman wall and at least 2 ruined medieval churches. You are also not far at all from one of London’s real hidden gems, the cathedral of St Bartholomew the great, a medieval cathedral down a little side alley near Smithfield market that tons of people in London don’t even know exists. Oh and for Americans, Benjamin Franklin once worked there as a typesetter[1]
My wife now teaches at the Guildhall. It’s a pretty special place especially this time of year when it’s nice. You can go sit out by the lake in the sunshine, watch the ducks etc. It’s really peaceful even though you are yards from old street, moorgate, liverpool street etc some of the busiest parts of london.
IIUC it's the half circle at the top and the rectangular building at the bottom with a green park between them.
This site also seems to have lots of background info and details on various aspects of the buildings, though I haven't explored in depth --- https://www.barbicanliving.co.uk
Fun fact: a good chunk of the video to “As It Was” was shot there.
For those interested / invested, they recently launched a Barbican renewal project: https://www.barbican.org.uk/our-story/press-room/barbican-un...
Of all the great information, that's the bit that sticks in my mind for some reason. I'd like to pics of that...
Another fun Barbican fact is their Garchey System for waste disposal.
The wet food waste is collected communally and taken away by custom-built tanker vehicles that connect to the holding tanks. https://www.barbicanliving.co.uk/barbican-now/garchey/the-ga...
The barbican is odd, mainly because its the only brutalist "council housing estate" that actually mostly worked as intended[1]
If you compare the layout/style to say the haygate estate (https://www.bbc.co.uk/news/uk-england-london-13092349 where attack the block was filmed) or the lesser known aylesbury estate, its more enclosed, but no less brutalist.
What is different is that unlike the southwark estates, it always had the original tenancy requirements upheld (either by tenant action, location or happenstance.) [2]
This meant that it didn't have the massive abandonment in the 90s, left to rot throughout the 00s. The quality of the haygate estate was actually pretty high, secure entry, gardens for the low rise, district heating, trees and playgrounds.
What was fucked up was that the heygate was a dumping ground for undesirables. this mean a spiral of drugs, crime and antisocial behaviour. The barbican escaped most of this because people were too fucking posh.
The social life of the barbican was upheld because of the huge amounts of money poured into the cultural centres that are hidden (and I mean hidden, the place is a fucking impossible maze) Most of the tenant social clubs were disbanded on the other estates, and the halls sold off or leased out to businesses.
In many way, the barbican isn't a great estate in terms of building quality. Its the same as any >60s council property. They all had to be big enough, have a separate kitchen and decent storage.
[1] well its not a mixed class housing estate, its all full of posh design types, and a handful of tenants left over from the 80s
[2] to get a council house, you had to be of good standing, and have a job. It wasn't a place to dumo drugadicts or problem families.
TLDR: the barbican is decent housing because it was reasonably well maintained, and wasn't filled with families in distress, or habitual criminals. We need to build more council estates to the same standard, with the same rules as the 60s.
Much more thought gone into the aesthetics of the Barbican than the Heygate Estate though, which is why the Heygate Estate was the one that ended up as every film scout's first choice of "scary, deprived place" even though it reportedly actually wasn't bad by the standards of south London postwar estates. And that's before taking into account the Barbican's arts facilities and all the money spent maintaining its communcal areas
But a _lot_ of council estates were well designed, but suffered from failed assumptions. The underground parking in the barbican for example was the same design that cause so many issues for estates elsewhere. They were hidden and that meant crime, unless there was tight access control.
https://modernistpilgrimage.com/2015/10/18/trellick-tower-lo... The trellick tower is fucking ugly on the outside, just like the barbican, but even the trellick has some smashing design features. Like most estates at the time, the three bed flats had an upstairs. Not only that, they were bright! Had a balcony.
The difference between the trellick and the barbican is the barbican had middle class people growing plants on the balcony. Until the hipsters moved in, the trellick just had shit.
https://municipaldreams.wordpress.com/ has some brilliant insight into council housing, the history, the plans and lots and lots of pictures.
I think the biggest thing to take away is that for a long while council housing _had_ to be better than private. It was partly slum clearance, partly vote winning, partly "you fought for this in the war" https://en.wikipedia.org/wiki/Parker_Morris_Committee has the general plan.
Separate kitchens, storage, decent square footage, working heating as a _minimum_ something which even 500k flats struggle to do now.
These photos look great, but I'm having a hard time figuring out exactly why.
The Barbican certainly looks better here than from what I remember of seeing it through the naked eye.
Notice how the shadows are somewhat teal-tinged and the contrast is toned down. There may or may not be some grain or vignetting added in post as well. There are Lightroom color profiles that can get this sort of color feel on application. But the compositions and natural lighting are pure photographer skill to chase.
Photography is a deeper, more subtle art than a lot of people realize. Two people can take a picture in the exact same location and time and get wildly different results.
The appearance of various Barbican adjacent locations in Slow Horses was a nice touch. And very on-point given the nature of Slough House.
Do they still have the rubber foot pedals to make the water come out of the taps in the public loos? Of course, being the Barbican the loos smell appalling and the taps frequently don't work, but it's all part of the charm.
I've never shot Leica. Is this color grading something you can pull straight out of the camera, or is this applied in post?
(Also wow that is expensive kit.)
To your question, the RAW's, unprocessed files are not like this from a Leica. You need to color grade (photographers say "post processing"). Color grading is used mostly for Video. In Photography, there are a lot of other things, it's mostly about light, not color. Highlights, Shadows, Contrast, Blacks/Whites etc.. Of course colors are also very important.
If you want good colors straight out of the camera, you could look into FujiFilm.
This is why I was asking. I've never shot Leica so was curious if Leica worked like Fuji and offered interesting color profiles in body.
> Leica's are expensive I agree. It was a dream of mine to use it though for almost two decades. I finally was in a position to get it three years ago.
Yeah sorry I don't mean to throw shade with that comment. Your compositions are great and interesting and your moments seem deliberate. Artistry went into this, these are good photos :)
I personally love the brutalist and gigantic architecture of this time. Jam pack the flats, leave space for nature and public areas around it. Fairly standard in developed Asia, rare outside of ghettos in the West. Every time I discuss it with others, it's a hard sell against the "bbq with your neighbors in your back garden" so many aspire to by moving in suburbian houses.
https://en.wikipedia.org/wiki/Trellick_Tower
https://architectureau.com/articles/the-brutality-of-vertica...
It was also the setting for part of Harry Styles As It Was https://youtu.be/H5v3kku4y6Q
It's an interesting place to be sure, but I wouldn't praise it nearly as much as the article does.
https://news.ycombinator.com/item?id=43966676 expresses some of what I felt.
https://www.nadamaktari.com/nadamaktari-memorylog/architectu...
https://themodernhouse.com/sales-list/defoe-house-II
Edit: Just saw there's another comment with some other listings from that website, they are all quite nice.
Theatre, concert hall, library, cinema and a few other things in the building. well kept gardens. Friendly and peaceful.
There's a lot less of that feeling out in the world of 2025 but you can still find it if you look.
Never got up high enough to see the greenhouse.
The Barbican is Coruscant.
I was fortunate enough to be in there recently.
- how much design work was put into it. So many of it, from little bits and bobs (an awning, an electric socket, a doorframe), to the overall layout are unique to the area they are in and aren't copy-pasted elsewhere! It creates a coherent, but varying ensamble that is vibrant and alive, and is not just a grid of repeated elements.
- relatedly, how deeply organic the maze of the Barbican is. Contrast the raw concrete of the Barbican with the flowing lines of the Walkie-Talkie: one has an organic and smooth shape, but is really a 3D grid of repeated blocks; the other is made entirely of exposed raw concrete, but you never know what you will see around a corner. In this sense, the Barbican is more organic than most modern architecture. It's a place of wonder and surprise.
I love the Barbican.
(English is my second language, so stuff like this can happen sometimes)
...left unsurprised.
Walking around this imposing concrete structure, you feel its soullessness and brutalism. They made attempts to introduce greenery (like the temperate greenhouse area), but in the 21st century those areas are tired, poorly maintained and generally devoid of any visitors. The glass is misty or greening. The water features are stagnant. The concrete has aged poorly, with cracking and visible degradation.
London is full of beautiful Victorian and Georgian architecture, so brutalist concrete buildings look cringeworthy by comparison.. but they do seem to tickle the fancy of the socialist intelligentia, who love to proclaim how clever it all is - clever in a way that the common non-socialist folk simply wouldn't understand.
