Absolutely gorgeous shots. Made my day.
Yes, but these days I have to wonder whether AI was involved, and I hate having that thought because of the massive time, expertise, equipment, and luck that it takes for the real photos to be created.
When I saw it, there were narratives about the people behind the shots which made it extra special.
The area in this photo -- the Caineville Mesa, Factory Butte, "Long Dong Silver" (I'm not aware of a more polite name) -- is some of the strangest land in America. It really is that lunar blue gray. The Temples of the Sun and Moon (enormous natural sandcastles) are also nearby, and are similarly eerie in the evening.
The closest I've ever felt to being in space. Recommend!
Factory Butte: https://www.instagram.com/tripodtales/p/C6gg-wpS-tr/
"Long Dong Silver": https://www.instagram.com/tripodtales/p/C-yLCskOGiC/
How did they do solar eruption? Must be some filters as Sun doesn't look like this to naked eye. I mean this image:
https://www.rmg.co.uk/sites/default/files/styles/large/publi...
I blame that dark/night photography is an impossible task. The tricks like long exposure, ISO boost and noise cleanup, saturation, hdr or whatever you throw at it, just wont be like your eyes. Photographers gets carried away in post and boost too much, and I understand why.
Northern lights - are awesome. I encourage you to see it if you havent. Go this winter! And take photos and you’ll know what I meen. The colors wont pop like these popular photos, but standing outside on a freezing winter night holding back your frost breath from blocking the view of the green lights moving like firely beams of across the sky. Hopefully you’re somewhere quiet with no light pollution. There is nothing like it - watching the reflections of the armor of the valkyrene as they march on valhal
Frequently after I would have dreams where wild displays of light (sometimes nebulae) covering the entire night sky, hanging over me — making me feel so small compared to the universe.
I've told my daughters to travel where they have to so that they see them at least once in their lifetime. And I mean the full on blazing in the night sky: crossfading, the colors....
I think I might rank them higher than seeing a full eclipse.
Boosting colors/saturation that is already there is no different from what most people do with images on their phones. I also have no issues when people use a SII or H-alpha filters and give them a false color.
You seem to be arguing from a perspective that photography is an opportunity to use technology to show humans what's impossible to see, be it because our eyes don't register the low light (thus needing long exposures or composites), or because we experience time differently than a long exposure photograph shows it.
Meanwhile, the parent is arguing from the perspective that photography should reflect only what our eyeballs can see, without embellishing (or at least as much). Capturing the moment, as it were.
You can both be right, and (I would argue) are. There's room for both (and many more) perspectives in art.
Think someone who only ever saw waterfalls in long-time exposure shots, these frozen, milky streams that look nothing like actual water, while still being pretty to look at. Would you say that person has an understanding of what a waterfall actually looks like? No. But do they see something that is there, but others wouldn’t be able to sense in reality? Also no, as long as we use a subjective experience of time as the baseline.
But your framing it as what is actually going on, just with better sensors than our eyes have, makes me appreciate the art more.
I know it's partly because of the color pallette, but still
Are the "geometric buildings" real or just something she put up for the picture?
https://subsites.chinadaily.com.cn/ezhejiang/lishui/2025-01/...
https://spacemath.gsfc.nasa.gov/SMBooks/AstrophotographyV1.p...
https://www.rmg.co.uk/whats-on/astronomy-photographer-year/e...
Thanks for destroying trust, AI researchers and companies. On top of everything else.
Even if they are real, does it really matter when the camera is doing superhuman work with things like a 27 km zoomed in picture of a building or composite of 300 separate exposures. If you get to combine exposures, why not just expose a moon separately from a building and combine them in the computer?